Gospel Piano Secrets: Modal Mixture and Borrowed Chords Techniques

Gospel Piano Secrets: Modal Mixture and Borrowed Chords Techniques.

This tutorial explores the nuances of gospel piano playing, focusing on the modal mixture and borrowed chords for reharmonizing songs. I explain the distinction between these musical concepts and demonstrate their application using examples in the key of C. I describe modal mixture as blending different modes with the same tonic to enrich harmony, whereas borrowed chords involve integrating chords from the parallel minor. Through hands-on demonstrations with the hymn "There Is A Fountain, where I show alot of the Gospel Passing Chords techniques.

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CHAPTERS
00:00 - Introduction to Gospel Piano Techniques
00:45 - Understanding Modal Mixture and Borrowed Chords
01:15 - The Essentials of Gospel Piano Theory
02:20 - Modal Interchange and Modes Explained
03:24 - Techniques for Learning and Applying Modes
04:25 - Modal Mixture in Practice
04:54 - Borrowed Chords from the Parallel Minor
06:27 - Analyzing Borrowed Chords in Gospel Music
07:19 - Demonstrating Modal Mixture with Hymns
08:10 - Whole Tone Scale and Modal Mixing
09:29 - Parallel Minor vs. Relative Minor
10:35 - Modal Mixing and Borrowed Chords in "There is a Fountain Filled with Blood"
11:42 - Harmonic Minor and Modal Interchanging
13:08 - D9 Chord and C Lydian Mode Application
15:01 - G Minor 9 and Modal Mixing
16:18 - Whole Tone Scale Application
17:44 - Tritone Substitution and Modal Mixing
18:48 - Minor 4 and 2 Minor 7 Flat 5 Progressions
20:06 - Creative Reharmonization Techniques
20:48 - Recap: Modal Mixture and Borrowed Chords Theory
21:22 - Further Resources and Learning Opportunities

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