Carlo Maria Giulini had a remarkable career. Not known for his performances of the German standard repertoire, with no interest is contemporary or lesser known music, he made and remade recordings of a select number of pieces without anyone taking him to task for it. His seriousness, courteous demeanor, and spiritual intensity were such that he almost precluded criticism. Nevertheless, as with all major artists who spent substantial time in the recording studio, the multiplicity of versions makes it relatively easy to separate the superb from the merely good.
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