Schillinger Chromatic Harmonization of a Chromatic Melody: Part 2 Orchestral Composition Example

This is Episode 2 in a two-part series where you'll learn the Schillinger System approach to harmonising a chromatic melody with chromatic harmony, as discussed in Book 6 in his musical composition system. In Part 1 you'll see the fundamentals, an overview of the essential elements of the chromatic system of harmony and a demonstration of the two-step harmonization process. In Part 2 we will look at an example application: a four-minute orchestral composition based on the chromatic harmonization technique, and incorporates additional Schillinger techniques for writing music.

Contents:
00:00 Opening titles
00:33 Section 1 Introduction: what this video is about
01:15 Section 5 Application example: orchestral composition
01:38 Section 5.1 12-tone melody with symmetrically distributed tonal centres R3i
03:42 Section 5.2 3-part chromatic harmonization H(3p), R3i, chord groups, voice leading
06:06 Section 5.3 4-part chromatic harmonization H(4p), R3i, doubling, extensions
07:43 Section 5.4 Adding top layer H(2p,3p) with Strata Harmony approach
10:11 Section 5.5 Embellish the harmony with Thematic Melodic Figuration motifs
12:07 Section 6 The end result: orchestral composition example
12:23 Section 6.1 Musical Form, binary-ternary ABC-ABC, density control
13:35 Section 6.2 Orchestration details, instrumental forms for M and H
17:38 Section 6.3 Full composition, annotated reduced score
22:00 Summary and conclusion

#SchillingerSystemOfMusicalComposition #SymmetricHarmonization #ChromaticMelody

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