The Dave Brubeck Quartet - Time Out (1959) - [Great Cool Jazz Music]

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The Dave Brubeck Quartet - Time Out (1959)

00:00 - Blue Rondo à la Turk (1959) (Dave Brubeck)
06:42 - Strange Meadow Lark (1959) (Dave Brubeck)
14:00 - Take Five (1959) (Paul Desmond)
19:22 - Three to Get Ready (1959) (Dave Brubeck)
24:44 - Kathy's Waltz (1959) (Dave Brubeck)
29:30 - Everybody's Jumpin (1959) (Dave Brubeck)
33:53 - Pick Up Sticks (1959) (Dave Brubeck)

Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City.
The album is a subtle blend of cool and West Coast jazz. It peaked at No. 2 on the Billboard pop albums chart, and in 2011 was certified platinum 2X by the RIAA (meaning it has sold more than 2 million copies). The album was inducted in the Grammy Hall of Fame in 2009.
In 1951, Brubeck damaged several neck vertebrae and his spinal cord while diving into the surf in Hawaii. He would later remark that the rescue workers who responded had described him as a "DOA" (dead on arrival). Brubeck recovered after a few months, but suffered with residual nerve pain in his hands for years after. The injury also influenced his playing style towards complex, blocky chords rather than speedy, high-dexterity, single-note runs.
Brubeck organized the Dave Brubeck Quartet in 1951, with Paul Desmond on alto saxophone. They took up a long residency at San Francisco's Black Hawk nightclub and gained great popularity touring college campuses, recording a series of albums with such titles as Jazz at Oberlin (1953), Jazz at the College of the Pacific (1953), and Brubeck's debut on Columbia Records, Jazz Goes to College (1954).
When Brubeck signed with Fantasy Records, he thought he had a half interest in the company and he worked as a sort of A & R man for the label, encouraging the Weiss brothers to sign other contemporary jazz performers, including Gerry Mulligan, Chet Baker and Red Norvo. When he discovered that all he owned was a half interest in his own recording, he quit to sign with another label, Columbia Records.

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