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???? https://musicfrompoland.com/
Buy music from Titanic Sea Moon: http://titanicseamoon.bandcamp.com
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Historical background of the band:
Formed in 2018, Titanic Sea Moon emerged as a continuation of the legacy of Ewa Braun, a seminal Polish band that played a crucial role in shaping the country's alternative music scene during the late 20th century. While Titanic Sea Moon's members avoid direct comparisons to their previous project, their music naturally carries echoes of Ewa Braun's exploratory spirit and emotional depth.
The band's debut album, *Exit No. 2020*, was released in 2020 under the Fonoradar Records label. A year later, they followed up with *Live At Na Sianno 2020*, a live recording distributed by Na Siano (a sublabel of Nasiono Records). These initial works established Titanic Sea Moon's signature sound-a blend of post-rock influences and meditative, trance-like rhythms. Their music envelops listeners in waves of sound, oscillating between subtle introspection and expansive, oceanic depths.
Titanic Sea Moon's style resists categorization. Rooted in post-rock, it incorporates elements of ambient, noise, and even dub-inspired rhythms. Their compositions often unfold gradually, creating an immersive atmosphere that draws the audience into what they describe as a "highway of maritime cosmos." Each piece acts as a meditative exploration, allowing listeners to lose themselves in layers of sound while contemplating themes of time, space, and existence.
The band's live performances reflect their ethos of connection and introspection. They've played in diverse settings, from intimate club gigs to larger festival stages, including Thunder Fest in Bytów and Fląder Fest in Gdańsk. Members have shared that smaller venues often create a sense of intimacy, fostering a unique bond between the band and their audience. Conversely, outdoor performances complement their expansive soundscapes, allowing their music to resonate with the natural surroundings.
Titanic Sea Moon's upcoming studio album, currently in the mixing phase at HAGAL Studio, marks another milestone in their journey. Unlike their debut, which was self-recorded with all its accompanying challenges, the new record benefits from professional production. The band aims to preserve and archive their creative output meticulously, reflecting lessons learned from their time in Ewa Braun. This dedication has led to releases like the live recordings of their "Valentine's" concert in Warsaw and the summer Na Sianno Festival sessions.
While rooted in the past, Titanic Sea Moon's approach remains forward-looking. Songs evolve during live performances, taking on new dimensions each time they are played. For instance, the track "Wanda" has become a meditative, transfixing conclusion to their concerts, symbolizing a farewell to ego and a transcendence of the self. This adaptability underscores their commitment to exploration and growth, prioritizing space and wisdom in their music over rigid structures.
Despite their reluctance to be defined by their previous work, comparisons between Titanic Sea Moon and Ewa Braun are inevitable. Ewa Braun's music was a groundbreaking blend of noise, post-rock melancholy, and punk romanticism, encapsulating the outsider ethos of its era. Titanic Sea Moon shares this experimental DNA, but with a more meditative and ambient focus. The absence of Marcin Dymiter, whose haunting voice and evocative lyrics were central to Ewa Braun's identity, shifts Titanic Sea Moon's emphasis toward rhythmic exploration and textural soundscapes.
Titanic Sea Moon's journey is not about reaching a final destination but about embracing the act of travel itself. Their music invites listeners to embark on a shared meditation, where each note and rhythm becomes a stepping stone into the unknown. It's a reminder that, sometimes, the voyage is the reward.
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00:00 1. Drobny piach / Fine Sand
06:37 2. Maść na szczury / Rat Killing Ointment
12:58 3. Zapach śniegu / The Smell of Snow
19:01 4. Fucked by the Sun
30:30 5. Przeciwko śmierci / Against Death
41:43 6. Niepocieszony / Inconsolable
52:13 7. The Sahara Beat
57:35 8. OM (nie się martw) / Worry Worry
1:01:20 . Mały podróżnik / Little Wanderer
???? ???? ???? ???? ???? ???? ???? ????
[EN]
ATTENTION! Your doctor or pharmacist suggests subscribing to this channel for therapeutic purposes through music.
More music: https://www.youtube.com/@music-from-poland
More info: https://www.facebook.com/MusicFromPoland
#musicfrompoland #music #polishmusic #Poland #musicchannel #muzyka #muzykapolska #videoclip #filmmusic #unboxing #noise #ewabraun #titanicseamoon #noiserock #spacemusic #musicforsleep #insideseaside
???? https://www.facebook.com/MusicFromPoland
????️ https://x.com/MusicFromPoland
???? https://musicfrompoland.com/
Buy music from Titanic Sea Moon: http://titanicseamoon.bandcamp.com
???? ???? ???? ???? ???? ???? ???? ???? ???? ???? ???? ???? ???? ???? ????
Historical background of the band:
Formed in 2018, Titanic Sea Moon emerged as a continuation of the legacy of Ewa Braun, a seminal Polish band that played a crucial role in shaping the country's alternative music scene during the late 20th century. While Titanic Sea Moon's members avoid direct comparisons to their previous project, their music naturally carries echoes of Ewa Braun's exploratory spirit and emotional depth.
The band's debut album, *Exit No. 2020*, was released in 2020 under the Fonoradar Records label. A year later, they followed up with *Live At Na Sianno 2020*, a live recording distributed by Na Siano (a sublabel of Nasiono Records). These initial works established Titanic Sea Moon's signature sound-a blend of post-rock influences and meditative, trance-like rhythms. Their music envelops listeners in waves of sound, oscillating between subtle introspection and expansive, oceanic depths.
Titanic Sea Moon's style resists categorization. Rooted in post-rock, it incorporates elements of ambient, noise, and even dub-inspired rhythms. Their compositions often unfold gradually, creating an immersive atmosphere that draws the audience into what they describe as a "highway of maritime cosmos." Each piece acts as a meditative exploration, allowing listeners to lose themselves in layers of sound while contemplating themes of time, space, and existence.
The band's live performances reflect their ethos of connection and introspection. They've played in diverse settings, from intimate club gigs to larger festival stages, including Thunder Fest in Bytów and Fląder Fest in Gdańsk. Members have shared that smaller venues often create a sense of intimacy, fostering a unique bond between the band and their audience. Conversely, outdoor performances complement their expansive soundscapes, allowing their music to resonate with the natural surroundings.
Titanic Sea Moon's upcoming studio album, currently in the mixing phase at HAGAL Studio, marks another milestone in their journey. Unlike their debut, which was self-recorded with all its accompanying challenges, the new record benefits from professional production. The band aims to preserve and archive their creative output meticulously, reflecting lessons learned from their time in Ewa Braun. This dedication has led to releases like the live recordings of their "Valentine's" concert in Warsaw and the summer Na Sianno Festival sessions.
While rooted in the past, Titanic Sea Moon's approach remains forward-looking. Songs evolve during live performances, taking on new dimensions each time they are played. For instance, the track "Wanda" has become a meditative, transfixing conclusion to their concerts, symbolizing a farewell to ego and a transcendence of the self. This adaptability underscores their commitment to exploration and growth, prioritizing space and wisdom in their music over rigid structures.
Despite their reluctance to be defined by their previous work, comparisons between Titanic Sea Moon and Ewa Braun are inevitable. Ewa Braun's music was a groundbreaking blend of noise, post-rock melancholy, and punk romanticism, encapsulating the outsider ethos of its era. Titanic Sea Moon shares this experimental DNA, but with a more meditative and ambient focus. The absence of Marcin Dymiter, whose haunting voice and evocative lyrics were central to Ewa Braun's identity, shifts Titanic Sea Moon's emphasis toward rhythmic exploration and textural soundscapes.
Titanic Sea Moon's journey is not about reaching a final destination but about embracing the act of travel itself. Their music invites listeners to embark on a shared meditation, where each note and rhythm becomes a stepping stone into the unknown. It's a reminder that, sometimes, the voyage is the reward.
???? ???? ???? ???? ???? ???? ????
00:00 1. Drobny piach / Fine Sand
06:37 2. Maść na szczury / Rat Killing Ointment
12:58 3. Zapach śniegu / The Smell of Snow
19:01 4. Fucked by the Sun
30:30 5. Przeciwko śmierci / Against Death
41:43 6. Niepocieszony / Inconsolable
52:13 7. The Sahara Beat
57:35 8. OM (nie się martw) / Worry Worry
1:01:20 . Mały podróżnik / Little Wanderer
???? ???? ???? ???? ???? ???? ???? ????
[EN]
ATTENTION! Your doctor or pharmacist suggests subscribing to this channel for therapeutic purposes through music.
More music: https://www.youtube.com/@music-from-poland
More info: https://www.facebook.com/MusicFromPoland
#musicfrompoland #music #polishmusic #Poland #musicchannel #muzyka #muzykapolska #videoclip #filmmusic #unboxing #noise #ewabraun #titanicseamoon #noiserock #spacemusic #musicforsleep #insideseaside
- Category
- Music Experimental Music Category E
- Tags
- Home, Live concerts, Polish music
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